Today it is my pleasure to welcome authors Olga Werby & Christopher Werby and their Time Travel/Historical Fiction/Urban Fantasy novel, Twin Time.
Alex and Sasha are twin sisters, physically identical down to their freckles. But the resemblance is only skin deep—Sasha is profoundly autistic, while Alex is not. Sasha can’t communicate and acts bizarrely, and the family revolves around her and her intense needs. Yet the aged, wealthy, and mysterious Aunt Nana seems to have a particular interest in both girls. Offering a helping hand, she encourages the family to move to San Francisco to be near her. And when the young twins discover a tunnel in Nana’s tool shed, it leads them on a journey across the world and back 100 years in time. The tunnel is a pathway to the Firebird Estate, the home of their ancestors, located in rural Russia at the beginning of the twentieth century.
Even more remarkable, through the effect that twisting time has on cognition, Sasha is not autistic when she’s at the Firebird Estate. Now, growing up in two strikingly different times and places, the twins must face their separate destinies among the ravages of the incipient Russian Revolution. Can they save their families on both sides of the tunnel? Can they simultaneously stay true to their own hearts, to each other, and to the people they left behind? Each sister must face her own personal challenge—but only together can they discover their own future within their family’s past.
So, which child do you like best?
In my own experience, my favorite of my own books is always the one I’m writing now. Having read and enjoyed Olga Werby’s book Harvest (see my review) I was curious about how she felt about these two books of hers. So, I asked her which one was more fun for her to write: Harvest or Twin Time?
Yes, I know this is a little bit like asking someone which of their children they like best. “Both” is a good answer. But to author Werby’s credit, she had an interesting and well-thought-out response.
“Harvest” and “Twin Time” couldn’t be more different! One is a sci-fi thriller; the other is a fantastical, historical romance. I’ve spent years researching the science for “Harvest”—the scientific details in that story are all true. But the same is true for “Twin Time”. “Twin Time” is partly based on my grandmother’s childhood. She grew up in post-revolutionary Russia, in a rural village where the political change was slow to arrive. When it finally did, her family had to run in the middle of the night to stay alive. They lived through unspeakable horrors and didn’t survive unscathed. Most died. When and where we are born shapes our lives. When you read “Twin Time”, you will get to experience what it was like to live in another time and place with a different value system and different culture.
I came to America as a refugee; I grew up in Russia and those experiences shaped my life. To write about what it feels like to be there, even if at a different time and place than what I knew, was transformative. I loved doing the research, looking at illustrations and old photographs. It made me remember the fairytales of my youth.
Emotionally, “Twin Time” was more powerful for me, while “Harvest” was more intellectually stimulating. Writing these two books was a very different experience. But I wouldn’t swap my life for the life of my heroines in either of these novels—they had it rough. Spending a few years dreaming the lives of these women is very different from living those lives. I have to say, I’m a girl who likes first-class bathroom accommodations!
About Olga Werby
Olga Werby, Ed.D., has a Doctorate from U.C. Berkeley with a focus on designing online learning experiences. She has a Master’s degree from U.C. Berkeley in Education of Math, Science, and Technology. She has been creating computer-based projects since 1981 with organizations such as NASA (where she worked on the Pioneer Venus project), Addison-Wesley, and the Princeton Review. Olga has a B.A. degree in Mathematics and Astrophysics from Columbia University. She became an accidental science fiction indie writer about a decade ago, with her first book, “Suddenly Paris,” which was based on then fairly novel idea of virtual universes. Her next story, “The FATOFF Conspiracy,” was a horror story about fat, government bureaucracy, and body image. She writes about characters that rarely get represented in science fiction stories — homeless kids, refugees, handicapped, autistic individuals — the social underdogs of our world.
Her stories are based in real science, which is admittedly stretched to the very limit of possible. She has published almost a dozen fiction books to date and has won many awards for her writings. Her short fiction has been featured in several issues of “Alien Dimensions Magazine,” “600 second saga,” “Graveyard Girls,” “Kyanite Press’ Fables and Fairy Tales,” “The Carmen Online Theater Group’s Chronicles of Terror,” with many more stories freely available on her blog, Interfaces.com.
Find the Author at
Buy Her Books at
“Twin Time”: https://www.amazon.com/gp/product/B01LZM578L/
“Becoming Animals”: https://www.amazon.com/gp/product/B078P6BB6K/
“Suddenly, Paris”: https://www.amazon.com/gp/product/B014OM5158/
“The FATOFF Conspiracy”: https://www.amazon.com/gp/product/B014S0W4WO/
Yes, there is a giveaway.
Olga Werby & Christopher Werby will be awarding two signed books to a randomly drawn winner (US only) via rafflecopter during the tour.
This post is part of a tour sponsored by Goddess Fish. Check out all the other tour stops. If you drop by each of these and comment, you will greatly increase your chances of winning.
My Favorite Excerpt
Boris Blackburg was observing Alex carefully, judging her emotional state and her ability to comprehend what he was telling her. She seemed very confused. He wasn’t surprised. This was the strangest assignment he had ever accepted. At first, he thought it was some silly notion of a well-to-do old woman. But as the years passed, he got to know Nadezhda well, and he liked the old woman, eccentricities and all. And as he got to know the Orlov family as well–vicariously, of course—the assignment grew more and more strange and intriguing.
Boris was also well compensated for his work. He was going to ensure Nadezhda’s wishes were followed. Alex Orlov would inherit her great-aunt’s estate and all the accompanying strangeness that came with it. He would make certain of it.
“Where did you get these?” Alex asked.
“Nadezhda, your Aunt Nana, gave these to me about eighteen years ago, shortly after you and Sasha were born.”
“I… I…” Alex seemed to want to say something, but couldn’t get it out. Boris was prepared to give her time, as long as her parents didn’t interfere with his mission by arriving too soon. At least the girl was now of age and the complications of guardianship had gone away–but he needed to complete his assignment before her parents arrived and complicated matters.
“Who’s the woman in this photo?” Alex pointed to a small black and white print of a man and a woman walking on the street. The image was very small, and it was difficult to identify the people, both of whom were wearing hats.
“Who do you think it is?” Boris asked. He knew, of course–Nadezhda had identified most of the photos for him, and there was information written on the back of most.
“I don’t know. But… it looks like… me?” Alex’s voice was small, barely audible.